Friday, February 18, 2011
Here's another composition with a dark background. The translucent quality of the tissue paper is interesting and challenging to paint. Light goes through the paper as well as bouncing off it. To capture the crinkles and planes in the tissue, I used all the painter's tools such as: lost and found edges, value shifts, changes in hue. The one I found particularly important was color temperature. Often I saw an edge without a hue shift and not much of a value shift. To create that edge or plane, I used a warmer or cooler version of the color. For example, one plane would be a yellow-orange while the plane next to it would be more lavender. Light going through the paper is usually warm; light reflected off it is usually cooler. This painting was a good exercise in observation.
"Box of Tissue", 12"x12", oil on board SOLD
Posted by Sara Qualey at 11:35 AM
Wednesday, February 16, 2011
I decided it was time to compose a painting with a dark background. My idea was to achieve a sense of atmosphere and space. I wanted the jar to emerge from the darkness by painting just a few of the highlights and reflections. Then I added a blast of color with the clementine. I've been painting a lot of oranges. It's a welcome color in February when everything outside my window is white.
"Clementine & Jar", 8"x6", oil on linen, SOLD
Posted by Sara Qualey at 4:47 PM